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Videographer
Posted on Aug. 24, 2026
- Mh, India
- 0 - 0 USD (yearly)
- Full Time
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You are the person behind the camera. You make the footage exist.
You will shoot in three very different situations
- Tabletop and macro, in-studio — the strap itself. Texture, grain, stitch, edge finish, buckle. This is precision work.
- On-wrist and lifestyle, on location — real people, real watches, real environments. Cafés, cars, offices, water, streets, travel.
- Talking-head and founder content — clean audio, clean framing, run-and-gun, often with one hour of the subject's time and no second chance.
- Product and macro video of straps and watches: texture, grain, buckle detail, light travelling across rubber and steel, water and motion
- On-wrist sequences across dozens of watch references — Datejust, Speedmaster, Black Bay, Submariner, SKX, MoonSwatch
- Lifestyle and location content: outdoor, natural light, real environments, travel
- Founder and talking-head content with clean, usable audio
- Behind-the-scenes, unboxing, packaging and fitment demonstrations
- Fast, volume-oriented social content — several set-ups a day when the calendar demands it
- Own the lighting setup. Continuous LED, modifiers, flags, reflectors, controlling reflection on polished steel and glass — this is the hardest technical part of the job and it is not optional.
- Record clean audio: lav, shotgun, room tone, levels checked before the take
- Set dressing within brand rules: backgrounds white or light grey, no props. If a shot needs colour, we add a strap, not an object.
- Handle product with care. These are straps that fit watches worth lakhs. Gloves, cloths, no scratches — the technician's handling protocol is enforced.
- Recce locations, or arrive prepared when you cannot
- Handle permissions, timing, light windows, and the practical realities of shooting on an Indian street with expensive gear
- Pack, carry, insure and account for equipment on trips. You are responsible for the kit you take out.
- Multi-day domestic trips; international shoots are a realistic possibility within the first year
- First cuts and quick-turnaround edits: 9:16 social cuts, short-form assembly, simple colour, sync to music
- Log, label, back up and hand over footage in an organised structure the designer can actually work from — not a folder called new final 2
- Maintain the footage library so nothing is ever shot twice
- Camera craft. Full manual control. Exposure triangle, shutter angle for motion, frame rates, log profiles, white balance, focus pulling — and you can explain your choices, not just recall your presets.
- Macro and product video. Shallow depth of field on a small subject, slider/probe or macro lens work, focus stacking or focus pulls at close range. This is the single most-tested skill in our process.
- Lighting. You can light a reflective object — polished steel, sapphire crystal, glossy rubber — without blowing highlights or catching your own reflection. Strong natural-light ability too.
- Audio. Lav and shotgun mics, monitoring, room control. You know bad audio kills a video faster than bad picture.
- Editing at a working level — Premiere Pro or DaVinci Resolve. You cut your own first passes.
- Gimbal and stabilisation — smooth movement, and the judgement to know when a locked-off tripod shot is better
- Vertical-first thinking. You compose for 9:16 as the primary format and protect for 16:9, not the reverse.
- Physical reliability. You carry the kit, you set up before call time, you shoot in heat, and you finish the day.
- No props. Backgrounds are white or light grey. Colour comes from the product.
- Shoot on the watches people actually own, not on generic or unbranded watches
- Handle every watch and strap per the technician's protocol. A scratched lug is a real financial loss.
- Every shoot is backed up to two locations the same day. No exceptions, ever.
Qualifications
- 1–3 years shooting video for brands, an agency, a production house, or as a full-time freelancer
- A showreel is mandatory. 60–120 seconds. No reel, no interview. Drive link, Vimeo, YouTube or Instagram all acceptable.
- Alongside the reel, send one unedited or lightly-edited raw clip so we can see what comes out of your camera before anyone fixes it. This matters more to us than the reel.
- Formal film education welcome but not required. Self-taught candidates with a strong reel are treated identically.
- Passport mandatory, or application already in process
- Based in Mumbai or willing to relocate before joining
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